Art Courses
Appreciation of various visual art forms with emphasis on the history, materials and
aesthetics of art (not a studio course).
Introduction to the elements and principles of two-dimensional design and composition.
Includes study of planar structure, depth illusions, figure-ground relationships and
color theory.
Introduction to the elements and principles of sculpture and three-dimensional composition
through a variety of processes and materials. Emphasis on spatial structure, basic
volumes, and relationships of form and space.
Introduction to the principles of drawing from observation. Investigation of proportion,
modeling and perspective with various drawing media. Prerequisite: ART 106 recommended.
Introduction to the principles and processes of drawing the human figure. Investigation
of proportion, gesture and composition with various drawing media from live models.
Continuation of study of the principles of drawing from observation, with investigation
of proportion, modeling and perspective in various drawing media. Prerequisite: ART
110.
Continuation of study of the principles and processes of drawing the human figure.
Investigation of proportion, gesture and composition with various drawing media from
live modes. Prerequisite: ART 111.
Continuation of study of the principles and processes of drawing the human figure.
Investigation of proportion, gesture and composition with various drawing media from
live models. Prerequisite: ART 116.
An introductory, comprehensive step-by-step instruction and explanation of the "how"
and "why" behind the industry standard software skills of Adobe Creative Suite, including
InDesign, Photoshop and Illustrator. Students will be introduced to each feature as
they work through information, including projects, reviews and step-by-step tutorials.
Prerequisites: basic computer skills required or instructor's signature.
Study of industry-standard software and how to integrate these programs into seamless
communication, while producing works that conform to design principles and client
expectations. Learn essential graphic-design terminology and continue developing knowledge
and skills through advanced, hands-on projects implementing vector illustrations,
page layouts, image manipulation and typography. Prerequisites: ART 130 required or
instructor's signature.
Provides an introduction to computer-aided three-dimensional modeling technology used
by designers in various disciplines including industrial design, graphic design, Web
design, game design, sculpture, and animation.
Provides further development of skills in the computer-aided three-dimensional modeling
technology used by designers in various disciplines including industrial design, graphic
design, Web design, game design, sculpture and animation. Focus is on developing advanced
skills in rendering and presentation.
Introductory studio inquiry into graphic communication, including concepts and practical
applications of traditional and contemporary visual art. Covers symbols, typography,
information design, visual concepts and three-dimensional graphic design. Lectures,
readings, demonstrations, slide presentations and group exercises are applied to visual
problem solving, using digital hardware and software tools. Prerequisites: ART 130
(may be taken concurrently), or instructor's signature.
Covers foundations of two-dimensional visual graphic design, using basic computer
skills, techniques and technology. Classic design elements of balance, harmony, variety
and other design principles are explored and employed toward projects covering line
and shape, type combinations, typography as design elements, color composition, drawing,
photo, and collage. Prerequisites: ART 130, ART 131 (may be taken concurrently), or
instructor's signature.
This foundation class for graphic designers identifies issues specific to publications
and ways in which design principles and techniques are applied to solve them. Topics
include effectively organizing content, using type and color, understanding the development
of functional and visually engaging compositions, understanding visual and informational
hierarchy, and typography. Prerequisites: ART 135 or instructor's signature.
Focuses on using typography as the primary visual in design exploration, with text
introduced as a design element. Includes font classification, composition and production
techniques. Projects cover typographic history, effective use of type and letterforms,
and working knowledge of effective typographic methodology to creatively solve communications
problems. Prerequisites: ART 135 (may be taken concurrently) or instructor’s signature.
An introduction to fundamentals of digital photography. Topics include learning to
use and understand digital cameras, shooting techniques, lenses, correct exposure,
lighting, composition, creative image enhancement and manipulation. Includes instruction
on skills useful for graphic design. Prerequisites: ART 130 recommended.
Foundation class for graphic designers identifies issues specific to publications
and ways in which design principles and techniques are applied to solve them. Topics
include effectively organizing content, using type and color, understanding the development
of functional and visually engaging compositions, understanding visual and informational
hierarchy, and typography. (Formerly ART 136.) Prerequisites: ART 135 or instructor’s
signature.
Introduction to the study of techniques and methods used in illustration. Concentrated
practice in working with available media and techniques, with emphasis on the use
of design elements in creating effective graphics for visual advertising and journalistic
communications.
Advanced study of techniques and methods used in commercial illustration projects.
Concentrated practice on a variety of media and techniques, including digital media,
in order to create effective imagery for visual communication. Prerequisite: ART 141.
Study and practice of techniques and methods used in commercial illustration projects,
with subjects and applications related to natural sciences. Using research and observation
of specimens, the course provides concentrated practice on a variety of media and
techniques, including digital media, in order to create effective imagery for visual
communication. Prerequisites: some drawing experience is recommended.
Introduction to the history, methods, materials, skills and equipment for creating
ceramic design. Work in hand methods, wheel throwing, glazing and firing.
Continued study and work in the methods and skills for creating ceramics. Prerequisite:
ART 150.
Continued study and work in the methods and skills for creating ceramics. Prerequisite:
ART 151.
Sculpture 1 follows 3D Design as a further investigation of three-dimensional form
in art, including experience with subtractive, additive, modeling and casting processes.
This project-based course focuses on developing the skills to work with traditional
and non-traditional sculpture materials. Prerequisites: ART 107.
Sculpture 2 follows Sculpture 1 as a further investigation of three-dimensional form
in art, including advanced experience with subtractive, additive, modeling, and casting
processes, along with theoretical and conceptual practices of object making. The creative
process is developed through projects that emphasize creative expression and the sculptural
work's presentation. Prerequisites: ART 154.
Introduction to the history of art. Survey of the art and architecture of Western
Civilization from prehistoric through Gothic periods.
Introduction to the history of art. Survey of the art and architecture of Western
Civilization from Renaissance through Neoclassical periods.
Introduction to the history of art. Survey of the art and architecture of Western
Civilization from Romantic through Modern periods.
Studio problems and individual development in intaglio printmaking. Includes drypoint,
line etching, and aquatint using traditional copperplate processes. Prerequisite:
ART 106 recommended.
Studio problems and individual development in relief printmaking. Includes black and white, color, subtractive, and multiblock processes. Prerequisite: ART 106 recommended.
Introduction to the principles and processes of oil and/or acrylic painting. Investigation
of color and composition with various studio subjects. Prerequisite: ART 106 or ART
110 recommended.
Continued study of the principles and processes of oil and/or acrylic painting. Prerequisites:
ART 210 or instructor's signature.
Continued study of the principles and processes of painting. Prerequisite: ART 211.
Introduction to the principles and processes of transparent watercolor painting. Investigation
of color and composition with various studio and outdoor subjects. Prerequisites:
ART 106 or 110 recommended.
Introduction to basic materials, cultural styles and techniques of Native American
beading. Three-color Peyote stitch and two-needle flatwork articles will be created.
Continued study in the materials, cultural styles and techniques of Native American
beading. Seven colors for Peyote stitch and flatwork with student-researched designs.
Prerequisite: ART 217.
Advanced study of the materials, cultural styles, and techniques of Native American
beading, including beading onto leather and completion of a large project. Prerequisites:
ART 218.
Advanced study of the principles and processes of oil and/or acrylic painting. Emphasis
on development of individual approaches to form and media. May be repeated. Prerequisite:
ART 212.
Advanced study of the theory and practice of drawing. Emphasis on the development
of individual approaches to form and media. Prerequisite: ART 113.
Introduction to the art of printmaking, including studio problems and individual design
development. Students will learn to use intaglio and relief processes to create editions
of fine art prints. Prerequisites: ART 106 or ART 110 recommended.
Advanced study of the theory and practice of printmaking. Emphasis on the development
of individual approaches to form and media. Prerequisites: ART 206, ART 208 or ART
224.
Packaging design combines marketing and graphics with an emphasis on three-dimensional
design. Packages are analyzed and positioned from a marketing point of view. Brand
marks, visual graphics and color schemes are developed for individual products and
more sophisticated related product lines. Typical assignments include food, fragrance
and mass-market packaging designs. Prerequisites: ART 135 or instructor’s signature.
Studio course covering the process and purpose of graphic design. Projects include
developing graphic design solutions for logos, branding, book jackets, packaging,
posters, and advertising. Components of the design process including typography, layout,
two-dimensional design principles, the job search, and student portfolios will be
covered. Prerequisites: ART 139 or instructor’s signature.
Introduction to Web Site Graphic Design stressing fundamental principles and their
application to the Web. Beyond mastering technical details of software, the course
focuses on the essential building blocks of color, type, and layout, in working toward
professional, appealing and functional website designs. Prerequisites: ART 234 or
instructor’s signature.
Capstone class investigates each phase of the branding process through comprehensive
coverage of key brand applications in graphic design and advertising. Gain insight
into the art of designing individual brand applications: brand identity, promotional
design, identification graphics, websites and advertising. Develops strategies for
generating ideas and creating brands. Prerequisites: ART 235 or instructor's signature.
Advanced study of the theory and practice of ceramics. Emphasis on the development
of individual approaches to form and media. May be repeated. Prerequisites: ART 152.
Advanced Sculpture builds upon skills from previous sculpture classes, developing
greater technical and conceptual skills in three-dimensional visual art practices.
Students develop a sophisticated body of three-dimensional work, and a directed, productive
approach to studio practice. Prerequisites: ART 155.